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Search resuls for: "Craig Lucas"


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Seldom have a pair of alcoholics looked as glamorous as they do in Craig Lucas and Adam Guettel’s bruised romance of a Broadway musical, “Days of Wine and Roses,” starring Kelli O’Hara and Brian d’Arcy James as midcentury-modern Manhattan lovers free-falling all the way to hell, drinks in hand. And yet we can sense the allure: how alcohol might become the one true thing that matters, smoldering wreckage be damned. Adapted from JP Miller’s recovery-evangelizing 1958 teleplay and 1962 film of the same name, this “Days of Wine and Roses” is like a jazz opera melded seamlessly with a play. Deeper, wiser and warmer than it was in its premiere at Off Broadway’s Atlantic Theater Company last year, it is no longer so wary of melodrama that it’s afraid of feeling, too. Gone is the emotional aridity that kept the story at a strange remove.
Persons: Craig Lucas, Adam Guettel’s, , Kelli O’Hara, Brian d’Arcy James, doesn’t, Michael Greif’s Organizations: Atlantic Theater Company Locations: Manhattan
As origin stories go, the transformation of “Days of Wine and Roses” from a movie into a musical is a straight shot, with a twist. They talked through their coordinating vision for evolving “Wine and Roses,” the midcentury classic of a romance ruined by addiction. She already had a co-star in mind: Brian d’Arcy James, debonair and wry, like Jack Lemmon was in the 1962 movie, opposite the O’Hara look-alike Lee Remick. The film memorably traced the stuttery arc of alcoholism and recovery, a trajectory now familiar — onscreen and off — but rarely put to song. The production takes pains to show the love that propels their characters’ relationship — however misguided it turns out to be.
Persons: Kelli O’Hara, Adam Guettel, Tony, ” Guettel, ’ ” O’Hara, Brian d’Arcy James, debonair, Jack Lemmon, Lee Remick, Guettel, Craig Lucas, O’Hara, James, gorgeously Organizations: Broadway, Locations: Piazza
“Days of Wine and Roses” began its life as a teleplay in 1958; it was then adapted into a film in 1962. The musical features a score by Adam Guettel and a book by Craig Lucas; they previously collaborated on the 2005 musical “The Light in the Piazza,” and both of them have spoken about their own struggles with substance abuse. Guettel said he’s not sure when he first encountered the film, but that it immediately resonated. “It seemed like the right role for her, even then, in terms of the tenderness and the strength,” he said. James joined the project in the earliest days as well; he and O’Hara are friends who performed together in “Sweet Smell of Success.”
Persons: , Adam Guettel, Craig Lucas, Guettel, he’s, , James Locations:
That’s the idea behind the mother-daughter tour of Florence in “The Light in the Piazza,” the 2005 musical romance composed by Adam Guettel and written by Craig Lucas. revival directed by Chay Yew opened on Wednesday, a sensational performance by Ruthie Ann Miles delivers a feeling close to the sublime. She honeymooned in Italy; now it’s the summer of 1953, and her marital flame is dimming just as her daughter, Clara (Anna Zavelson), first discovers desire. That Margaret and Clara are Asian American adds a further layer of shading to their outsiderness abroad. (“I’m as different here as different can be,” Clara sings.)
Persons: Adam Guettel, Craig Lucas, Chay Yew, Ruthie Ann Miles, Miles, “ Sweeney Todd, , Margaret, Clara, Anna Zavelson, Miles imbues, ” Clara, it’s, Fabrizio, James D, Gish Organizations: New York City Center, Broadway Locations: Florence, , Italy, American
If not for the unbridled drinking, it might easily have been a screwball comedy. Just look at them: Kirsten, blondly beautiful with a tolerant smile and a quick riposte; Joe, curly-haired cute but too arrogant to grasp that he’ll have to up his game to win this woman. It can’t be me; you don’t know me.”This is the addiction-canon classic “Days of Wine and Roses,” though, so some of us already know them. In Craig Lucas and Adam Guettel’s jazzy, aching musical based on the teleplay and the film, Kelli O’Hara and Brian d’Arcy James are an awfully glamorous Kirsten and Joe — O’Hara, in exquisite voice, singing 14 of the show’s 18 numbers, seven of them solos. Directed in its world premiere by Michael Greif for Atlantic Theater Company, this “Days of Wine and Roses” fills the old Gothic Revival parish house that is the Linda Gross Theater with glorious sound.
Persons: Kirsten, blondly, , , Miller’s, Piper Laurie, Cliff Robertson, Lee Remick, Jack Lemmon, Joe, Craig Lucas, Adam Guettel’s, Kelli O’Hara, Brian d’Arcy James, Joe — O’Hara, Michael Greif, Linda Gross Organizations: Atlantic Theater Company Locations: New York City, Miller’s
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